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Entries in Kristin Sekora (2)

lundi
mai132013

Carine On The Collections: The Animal Nursery

Carine On The Collections: The Animal Nursery
By Kristin Sekora

During her decade as editor-in-chief of Vogue Paris, Carine Roitfeld didn’t so much report fashion as blow it out of a gun at the reader, flashing crotches and breasts and famously having a model deep-throat a squid while holding a side of beef between her legs. Where then is she to land on the much tamer shores of Harper’s Bazaar? Even the GLOBAL Harper’s Bazaar? This remains to be seen.

In “The Animal Nursery” in the May issue, Carine emerges not with anything deep down a model’s throat but with her tongue deeply in her cheek, and very good and cheeky it is. The editorial is a funny “Models Without Borders: ‘We’ve got to save these baby animals even though we’re wearing million dollar clothes and we’re famous!’"

It is not a coincidence that the models are Ethiopian, Swedish, Korean, Russian, and American, just like a real group of Médecins Sans Frontières. The 17-page spread, lushly photographed by Sebastian Faena and edited by Michaela Dosamantes, both of whom work with Carine on CR Fashion Book, takes place in an ersatz tropical locale where the five beauties, all wonderfully coifed and made-up and manicured, hold delightful baby tigers, monkeys, and one tiny, adorable ocelot. They sit in director’s chairs surrounded by white canvas tents with large red crosses on them. In one scene (and, as is always the case with Carine Roitfeld, it is a “scene,” not a photo), Soo Joo Park, in a face mask and a nurse’s cap with a “V” (for “Louis Vuitton”?) on it, looks down in worry as Senait Gidey, also in a face mask, marches with determination as if to say, “Make way, we must get this baby ocelot to surgery immediately or she will die!”

There are other telling details that make it all the more funny, like the “waders” that Kate, Senait, and Soo Joo wear, almost like hazmat suits, but if you follow the credits you will find they are fishing gear. Or the Birkenstocks, which are not exactly jungle wear. And the animals! They play with the stethoscopes, climb into the wagons, or cuddle together just like, well, just like baby monkeys!

Carine Roitfeld knows how to make drama out of fashion but we start to notice that our girl is playing a game with us here, too, maybe not as in-our-faces as with her Vogue Paris, but something is going on while we are enjoying the sport… The tiger is being held in the arms of a woman wearing a tiger-printed shirt and the baby monkeys are wearing tiger- and zebra-striped diapers! A model wears a giraffe-printed coat by Burberry and a python-printed blouse.

Carine is famous for the pro-fur editorial “Reality Show” that she styled herself for Vogue Paris in August 2008, but she certainly is not in favor of using baby tiger or ocelot fur, which is illegal. And she would not have had the backing of the various wildlife preserves where the editorial was shot if she were insensitive to endangered species. It appears that all the “fur” fashion here is faux. I think Carine Roitfeld may be playing with the PETA crowd again, a kind of subterranean message, a repeat “gotcha,” only this time showing them, “Look, I get to play with all the tiger fur I want!” But here she is in tandem with the groups that preserve endangered species.

The clothes are extraordinary, particularly one dress by Dolce & Gabbana, you could picture Carine in this, it is the epitome of the pair’s combination of femininity with an edge: tweed with figure-skimming lace down the front, accessorized of course by the exquisite baby ocelot. Another dream item is a tawny faux-fur blouson and skirt by Reed Krakoff, a designer whose work I just discovered and who I really love, worn by Irina Shayk, whose rubber boot is being attacked by a playful baby tiger. A further hit is a wonderful outfit from Givenchy by Riccardo Tisci, which looks like appliquéd lace and cotton. (Carine Roitfeld wore a Bambi Givenchy top with “Pop-Pois” net pants to the Met Gala.)

“The Animal Nursery” is a move on Carine’s part to bring her dramatic element to the Harper’s Bazaar fashion scene. As a first step it is refreshing and delightful but still tentative. It definitely made me want to buy Harper’s Bazaar. With such an iconic member of their editorial staff, I cannot resist. I await further work on the editorial front. And the day when Carine Roitfeld once again comes out guns blazing!

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"Carine Roitfeld on the Collections: The Animal Nursery" images © 2013 Hearst Communications, Inc. All Rights Reserved.

vendredi
mars012013

CR Fashion Book: Clearly

CR Fashion Book: Clearly
By Kristin Sekora

In the second issue of CR Fashion Book there is a layout named "Clearly." Continuing Carine Roitfeld’s choice of the theme of dance for this issue, which she has studied privately for the past year and a half, the pages are filled with five images of the nude body of a ballet dancer in exercise and dance poses intermingled with beautiful art-quality see-through accessories. The stylist is Michaela Dosamantes.

In the first photo the dancer is in a split with her leg bent behind in back attitude, a practice stretch pose, all the more to take advantage of the soft PVC plastic of the glorious Givenchy shoe she carries on her foot. The shoe’s clear Lucite heel reveals a patterned interior and rests on the silver metal of a heel. The dancer’s perfectly pointed toe is revealed through the plastic. But in this first photo we begin to get the sense that the clearness that Carine Roitfeld intends for us is not the clarity of light but perhaps the see-through quality and nebulousness of a vacuum. Yes, CR is truly a woman of mystery and not to be taken for granted. Why does the dancer have no head? It cannot just be that it is behind her shoulder. No, it is gone. And most shocking of all, for a woman who once published a photo of a model with the Gucci logo shaved into her pubic hair, here Carine has airbrushed the dancer’s sex. The dancer has been defaced in more ways than one. CR is playing with us when she uses the word "Clearly."

However, examined closely, the pores of the dancer’s body are clearly seen, exfoliated with MAC Mineralize Volcanic Ash Exfoliator. The choice of a dancer instead of a fashion model goes beyond a mere adherence to the ballet theme, for Carine is showing us that the dancer is as dedicated to her art as the truly fashionable woman is to hers. The toughness of the sinews, the tightness of the muscles, all are mirrored in a woman’s pleasure in the touch and feel of the fashion objects with which she surrounds herself.

The photographer, Brigitte Niedermair, known for her startling female nude imagery such as the juxtaposition of a woman’s naked buttocks with a fecund cow’s udders, continues such imagery here. In the next two photos, we encounter perhaps the most beautiful art-quality objects, placed by Carine Roitfeld in the most disturbing context, for our eye is suddenly shocked by what seems to be flesh in an abattoir held by blocks of preserving ice. Is Carine saying that in some way beauty is cold? That we pay too high a price for it? Even the juxtaposition of the two photographs suggests shards of ice coming together. The objects here are incredible. On the left is a Gucci Plexiglas box to hold the lovely contents of a lady’s evening. On the right is a Valentino minaudière of such exquisiteness that it will be handed down for generations. It is Plexiglas, tiny, with the appearance of cut glass, with square marcasite-covered areas and a short burnished silver-toned chain.

In the final two photos, as in all the others, the dancer is contorting herself for fashion. She bends over backward to appreciate the beautiful Hermès cuff on the left. On the right, she does backbends over a PVC Michael Kors shoe with a Lucite heel. Is Carine Roitfeld at base cynical about fashion? I think not. These are exquisite art-quality fashion objects, not just everyday accessories. Carine has "Clearly" chosen to display them against the pristine beauty of a dancer's skin.

More from CR Fashion Book Issue 2: Dance

CR Fashion Book: A Tribute To Dim Dam Dom
By Jessica Eritou

CR Fashion Book: Dance with the Wind
By Dara Block

CR Fashion Book: High Performance
By Montse Ocejo

CR Fashion Book: Waiting In The Wings
By Jessica Eritou

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Editorial images © 2013 CR Fashion Book.