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Kellina de Boer
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Dara Block
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Mademoiselle C

Mademoiselle C (2013)
Directed by Fabien Constant

IWTB Interview:
Fabien Constant

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carine roitfeld: irreverent
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I Want To Be An Alt

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Entries in Mademoiselle C (8)

mercredi
janv.292014

Pre-Order Mademoiselle C DVD

If, like me, you are still waiting to see the film Mademoiselle C about Carine Roitfeld and the making of her CR Fashion Book, relief is on the way… the Mademoiselle C DVD releases on 11 March 2014! If you pre-order your copy now on Amazon, you are guaranteed to receive Mademoiselle C the day it comes out. I know how I will be spending 93 minutes of my birthday…. While we wait, be sure to enjoy the impressions of Mademoiselle C shared by Dara Block and Jascmeen Bush or my interview with the director of the film, Fabien Constant. 

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Carine Roitfeld Mademoiselle C DVD Cover © 2013 Cohen Media. Carine Roitfeld photo courtesy of instagram.com/helenatejedor.

mardi
oct.012013

Mademoiselle C And Beyond

Mademoiselle C and Beyond
By Dara Block

One of the best parts about living in Los Angeles is that you have easy access to films that are not so mainstream. Last week, when I saw that Mademoiselle C was playing on the big screen, I immediately ran to the theatre. I love a good fashion documentary and when you have a storyline based around Carine Roitfeld starting her own magazine... well, you know that is going to be a total fashion extravaganza! I really enjoyed watching the film and rather than giving a detailed plot analysis I thought I would pay close attention to a couple of key moments in the film that I find memorable and inspiring!

First, I must applaud director Fabien Constant for incorporating such visual style in the film. I love the opening of Mademoiselle C with all those glamorous night time shots of New York City and those detailed sartorialist images of various women in high heels. It is very Carine Roitfeld and I am sure she loved those moments, as well. I also liked the music in the film. I read that the band, The Shoes provided the soundtrack for Mademoiselle C and I think there is a great electronic-pop-noir sound that corresponds so well with each scene of the movie.

For a while now, I wondered why Carine Roitfeld left Vogue Paris and I was very intrigued to hear her side of the story and to also see her start from scratch and to brainstorm with her new team at CR Fashion Book. The viewer gets to witness her and Stephen Gan putting together the first issue of her magazine, which was based on the idea of Rebirth. The inspiration came from her daughter Julia's pregnancy and also from Carine herself, as she was in the process of taking on this new project. I guess you could say the first issue was all about new beginnings. I think Carine summed it up best when she said, I gave up my crown to start something new.

I so appreciated how the film went behind the scenes with some of her editorials for the first issue of CR Fashion Book. Personally, I loved seeing the process of how she works when she is on set especially with the layout "A Woman's Life," which was photographed by Sebastian Faena. I have always been intrigued by that image of model Juliet Ingleby wearing that sheer violet veil scarf as she walks through the cemetery with those three girls all dressed in black leather right behind her... that probably has to be one of the best noir chic moments that Carine Roitfeld has ever styled... amazing to see this one being put together!

I also loved seeing the behind-the-scenes of "Lucho and Juliet," which was a fairy tale written and photographed by Tom Ford. As we all know Carine Roitfeld is Tom Ford's muse so we get to see that dynamic creative bond that they share on screen. I think it's great how they both understand each other on such a deep and artistic level. I also love seeing how meticulous Tom Ford is as a photographer... he has quite the eye. The best part of that scene was when Tom Ford included his housemaid in the editorial. It's quite funny to see his housekeeper trying to assimilate with his models. I so love finding out all those tiny details, it definitely adds a little character to the layout.

I also enjoyed going behind the scenes of "Hush Little Baby Don't You Cry." We get to see Carine Roitfeld catch a plane from New York City to Miami and work together on a farm with photographer Bruce Weber and model Kate Upton. It's really fascinating to see her conceive an idea with some goats, models, and newborn babies. I also liked how we got the backstory of the cover with that cute little girl and those rabbit ears holding that newborn child. From watching Mademoiselle C we discover that the baby is actually peeing on her and that is why she had that expression on her face. In addition, I liked the way Carine Roitfeld interacted with that little girl. We see her adjusting her rabbit ears and telling Bruce Weber that she thinks she looks like a young Romy Schneider. It was so delightful seeing Carine Roitfeld in total creative mode... it seemed like everyone that works with her totally responds to her energy and artistic vision.

I think my favorite moment in the film has to be when we see Carine Roitfeld practicing ballet with her instructor. This is a side that we never see of Carine and it was quite intriguing to see her work on her pliés and get down into a full split. Who knew she was that flexible? It's clear that dance and discipline play an important role in her life and I admire that she chose Dance as her next theme for the second issue of CR Fashion Book. Carine Roitfeld beautifully shows that life does indeed imitate art.

As you can see, there are so many key moments in the film and I loved seeing all the behind-the-scenes footage from her first issue of CR Fashion Book. What I appreciated most about the film is the way in which Carine Roitfeld took inspiration from her own life and manifested her vision into such thought provoking editorials that truly go above and beyond. I think Riccardo Tisci summed it up best when he was describing Carine Roitfeld in the film... he said, she loves fashion, she lives fashion, she breathes fashion, she's neoclassic, but still punk. I couldn't agree more. So on that note, if you have not seen the film do yourself a favor and see it. Carine Roitfeld is what true inspiration is all about.

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Carine Roitfeld Mademoiselle C film stills © 2013 Fabien Constant and Cohen Media; courtesy of modelinia.com and untitled-magazine.com. CR Fashion Book images courtesy of crfashionbook.com.

jeudi
sept.262013

Mademoiselle C: Leather Clad Heroine

Mademoiselle C: Leather Clad Heroine
By Jascmeen Bush

I was granted a prescreening of the Mademoiselle C documentary for press only and wanted to share my review of the film (without giving too much away) with my fellow Roitfeld enthusiasts.

Surely they expect "press" to view the film once, write about it, then move on with their lives. Do you think I did that? Absolutely not! I watched it over and over and over!

How could I resist re-watching my leather clad heroine, in all her smokey eyed glory, recount the first time she listened to Jay Z, what keeps her relationship working, and what it's really like collaborating with Karl Lagerfeld? There was an adorable cameo by Kanye West, with appearances by Alber Elbaz, Riccardo Tisci, and Tom Ford to name a few, each of whom were nothing less than enchanted by our beloved Carine.

Watching Carine jet set, or rather, helicopter set from one fabulous event to the next is truly awe-inspiring, but the most inspirational part of the film had to be her eloquent, delicate inability to describe her occupation for customs.

(Come on, how fab is that?)

There's so much more I'd love to divulge, but I'll exercise a bit of restraint (just this once!) in hope that you all will treat yourself to a little Parisian chic and check out the movie for yourselves.

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Carine Roitfeld Mademoiselle C film stills © 2013 Fabien Constant and Cohen Media.

lundi
sept.232013

Mademoiselle C Promotional Poster

Several readers have inquired about the poster promoting the film Mademoiselle C starring Carine Roitfeld and I am delighted to report that the poster is now available on Amazon. This piece is sure to become a collector's item so don't delay, order your print today. Have you seen Mademoiselle C? I would love to hear your impressions of the film if so...

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Carine Roitfeld Mademoiselle C promotional poster and film stills © 2013 Fabien Constant and Cohen Media.

mardi
sept.102013

IWTB Interview: Fabien Constant

Dear readers, on the eve of the release of Mademoiselle C., the film documenting the life and the work of Carine Roitfeld, I had the pleasure of asking a few questions of the director, Fabien Constant, and I am delighted to share with you his answers. Also, I took the photograph of Fabien that leads off the interview but most of the others are plucked without permission from Monsieur Constant's Instagram account, I hope he won't mind, the images perfectly illustrate his humorous and laid-back approach to life. Merci mille fois, Fabien, bravo !

Sunset in the city where I was born

Tell us about your background. Where did you grow up? Which schools did you attend? How did you prepare for the work you do?
I'm from the southwest of France, Périgord, a countryside full of wine and foie gras not far from Bordeaux. I was not supposed to be in Paris and doing films but I was a movie lover from my youngest age so I moved to Paris after my graduation to do some movie studies. And I've been a movie journalist for many years before. I've moved into fashion, too. I've done a few documentaries, mainly as a producer: "Marc Jacobs and Louis Vuitton" or the tv series "The Day Before." I've also directed a lot of videos and a few of them with Carine such as her Vogue Bal or her vampire party or some Vogue Fashion Night Out documentaries or "The Client," a short doc for W mag.

This film is your first full-length feature but you have worked on other short pieces including "The Client" with Carine Roitfeld. How did you decide that Mademoiselle C was the film you should make? How did you convince Carine Roitfeld to give you such incredible access to her work and her life?
The videos that I have just mentioned have created a kind of a link between Carine and I and a kind of "trust" relationship. Trust in the tone I have, the step back I have, but also the humor or the vision of fashion I can have. And finally trust in tastes. So when I told her I wanted to tell the full story of CR Fashion Book, she just said yes. In two seconds.

Do you consider yourself a fan of Carine Roitfeld? When did you begin to follow her? Do you collect her work, such as Vogue Paris, CR Fashion Book, and Irreverent?
I've never been a collector of anything about Carine except the enormous respect that I have about her work. She has changed fashion in the 90s. She brings dream to the readers and the fashion lovers, through a strong and personal vision. And all her pictures have always a great sense of humour, sometimes in a tiny, tiny detail, but it's always there.

The mustang is thirsty (Wrightsville Beach, North Carolina)

I love the music that you chose to score Mademoiselle C, how did you pick the songs?
I'm obsessed with music so it took me time to find the group as eclectic as I wanted to be. I've always loved the music from The Shoes, their first album was a firework of energy and different styles that I love. And I loved the video clip they did with Jake Gyllenhaal last year for their hit "Time to Dance." So I couldn't be happier when they said yes to me. But I've also worked very hard on some additional music to find the moods and spirits (sometime religious, sometimes funny) I wanted to have.

What are your favorite moments in Mademoiselle C? Did your personal favorites translate into the film? I have read that Carine did not ask to approve your final cut. Did she offer any input as to the direction of the film? Did she advise on the promotional materials?
My favorite moment in the movie is the dance sequence, in her Parisian flat, at 7 a.m. in the morning. This sequence describe the real Carine for me, grace comes with work, beauty doesn't show suffering. And yes I've been the one in charge of every aspect of the moment. Carine saw it first, for sure, but she was not involved in the creative process nor any editing decision. She likes to say that she gave me as much freedom as she expects to have when she is doing her pictures.

Having spent so much time with Carine Roitfeld, perhaps you saw her eat at some point. Would you be comfortable divulging any details about her nutritional choices? Glancing into her refrigerator, what might we see?
As a real French woman Carine really enjoys to eat. That's our secret: enjoy what you eat and you won't get fat. We have been to a crazy Japanese restaurant last night, she had everything from sushi to lamb... and always have a spoon to steal some of your dessert.

Did you ever peek over Carine's shoulder and catch her checking IWTBAR? ;-) Or any favorite sites?
I can tell she has an eye on IWTBAR sometimes, she respects your work. But most of the time her relationship with things about her on the internet comes from the people around her showing her things. As she says, she doesn't Google herself every morning.

Carine Roitfeld, Miranda Kerr, Fabien Constant

I have read that you edited your final cut of Mademoiselle C from 220 hours of footage gleaned while following Carine Roitfeld. What will happen to the unseen 218 hours?
It's gone forever. :) Sad and beautiful in the same times. But you'll have 35 minutes of deleted scenes in the DVDs.

What will you do next?
I'm working on tons of different projects but to be honest the Mademoiselle C world tour, as I like to call it for fun, takes all of my time right now.

Now that the project has concluded, do you miss following Carine?
I do spend a lot of time with her for the promotion. But I can tell that we have a good connection, and a lot of fun together, so we might do something else together in the future. I would love to. But in a very practical way, you can also watch the behind the scene video I've done of her very powerful shoot with Karl Lagerfeld and Riccardo Tisci and the beyond controversial Kim Kardashian. It was a crazy night. Or you can read my interview of J.W. Anderson in the new CR Fashion Book issue. You see, we are already working together again, just on different platforms.

Fabien Constant, Kanye West, Carine Roitfeld

Who are your role models? Top Ten list of favorite music? Films? Books?
My production company is called TarkovsPop, because I love Tarkovsky, this very talented and demanding Russian director but also Rihanna or Katy Perry. I hate churches. I like to put on the same level a very demanding old film from the French New Wave and an amazingly well done blockbuster as Mission Impossible 4. It's what my world is made of.

What advice do you have for an aspiring film director?
To have no fear and not listen to advices. If you feel you have a story to tell, go for it.

Follow Fabien Constant on Instagram and Twitter

#pimp #fayedunawaystyle (Delano South Beach, Florida)

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Fabien Contstant photos © 2012 Kellina de Boer and courtesy of instagram.com/fabienconstant and purple.fr