Carine Roitfeld For 7Hollywood

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Carine Roitfeld for 7Hollywood cover via huffingtonpost.com

IWTBAR Style Editor: Dara Block

I am thrilled to announce the promotion of Dara Block to style editor for I Want To Be A Roitfeld. Ethereal and earthy all at once, Dara is a true original: visionary, imaginative, inspiring, while at the same time always kind, gracious, modest. It is with gratitude and admiration that we recognize Dara and her work today with the announcement of her new role; in celebration I am delighted that Dara agreed to respond to a few questions about herself, I hope curious readers will enjoy this opportunity to learn more about her intriguing life. Merci mille fois et félicitations, Dara !

Your photographs will be part of a book that Vogue Italia editor-in-chief Franca Sozzani is publishing, what can you share with us about the experience?

The whole experience is quite surreal as it all started when I found Franca Sozzani on Instagram. I have admired her vision at Vogue Italia for many years and what I loved about her Instagram page is the way she used it for her followers to display their photography skills. Each month, she chooses a different hashtag like #people, #travel, and #beautyinwonderland, which allows the photographer to take a picture of something that goes with that theme. To be honest, I just submitted some photos for fun and came up with unique ideas along the way. I was completely surprised that she actually liked the photos I was taking. Last month, it got more exciting when Franca Sozzani decided to use four of my photos in a book she put together for the Beauty in Wonderland exhibit, which happened in Milan during fall fashion week. It's really strange how this all happened, but I love how supportive and generous Franca Sozzani has been throughout this whole creative process.

What inspires you about Carine Roitfeld? Do you remember when you first became conscious of her influence?

There is so much that inspires me about Carine Roitfeld... .where do I begin! I think it all started when I saw Kate Moss on the cover of the Vogue Paris February 2001 issue in a sleek blonde haircut and a Balenciaga white dress. I totally thought to myself... something has completely changed and who made Kate Moss look this way. It was such a cutting-edge, chic look that I have never seen before on the cover of Vogue Paris. As I flipped through the issue, I saw an editor's note with Carine Roitfeld looking very much like that Kate Moss cover and I knew something special was happening with the publication. A couple of months later, I read an interview with Carine Roitfeld in the August 2001 "Age Issue" of US Vogue and I very much connected to her style and her frame of thought. She not only had a unique look all her own, but she had a great sense of humor. I liked how she didn't take fashion too seriously. I will never forget when she said how much she loves a fur coat in the summer. She just totally gets it and I love how she understands that style isn't just about wearing a label head to toe, but more about individuality and being yourself.

You practice African Dance regularly, when did you begin your study? What do you typically wear while dancing? You have such a sporty chic approach to life, are there other ways you stay active?

I started African Dance in my teens. My dance class in high school had a special seminar at UCLA and I was completely drawn to it. I loved the movements and the live drummers. African dance is not so much about choreography, but more about expressing emotions as you dance and I love that it is a group effort. It's very tribal and also a great way to stay in shape. Generally, I like fun and energetic forms of exercise like hip-hop and jazz, but I also like yoga and Pilates to build strength. When dancing I always like to be sporty-chic. Typically, I like to wear solid colors... normally, all black or white. I generally like loose pants with a flowy top... together, they both look pretty when you dance and it feels nice on your skin. Calvin Klein makes great workout wear. I tend to wear his pajamas as my dance wear. It's all about soft material when exercising and he is an expert at making comfortable yet stylish active wear.

We'd love to know a few of your favorites in Los Angeles...

Favorite Bookstore: Book Soup on Sunset Boulevard is by far the best bookstore in LA. It's small, quaint, and they have everything, including international magazines... I could spend all day there reading!

Favorite Boutique: To be honest, I don't shop much in LA, but one store I have liked for years is a vintage boutique called Playclothes. I always find such great vintage hats and the prices are not outrageously expensive. This summer I bought a fabulous vintage orange hat from the 1960s. I actually incorporated it in one of my pics that was chosen by Franca Sozzani for the Beauty in Wonderland book. This store will always be special to me as it is where I found my one of a kind vintage Lanvin dress from 1966... so much style in this store and it is one of the best kept secrets in Los Angeles.

Favorite People Watching Spot: This may sound strange, but I love watching Hasidic Jews walk the streets, especially on La Brea. They tend to walk every Saturday in groups and I love the way they wear all black and dress in uniform fashion. It's interesting and inspiring to watch them when they travel in unity. I love minimal and sleek black fashion and I think Hasidic Jewish men surprisingly fit in this category. Probably the best spot in Los Angeles to see noir chic on the streets.

Favorite Museum or Gallery: As far as galleries go I really like the PRISM Gallery on Sunset Boulevard. Every couple of months, they feature a different artist or photographer. I love both not only for the art, but I always find some inspiring sartorial fashion moments. I guess you could say art and fashion do go together. Recently, they held two shows that caught my attention. One for photographer Mario Testino and the other for photographer Daido Moriyama. I love the space and I love how non-pretentious it is. I hate it when art is snooty. I also like the Gagosian Gallery in Beverly Hills. Recently, I saw the Inez & Vinoodh photo exhibit as well as the Cecily Brown show. Two very different shows, but inspiring, nonetheless.

You seek inspiration in the most interesting places, what are the sites you read regularly? Which magazines garner your interest to the point of subscription? Where do you turn when seeking inspiration?

Nowadays, it is so difficult to keep up with all the websites, but I tend to always look at Stockholm Street Style and The Sartorialist for style inspiration. For photo inspiration and keeping up with what is going on in fashion I turn to Vogue.it. The sites are pretty innovative in their own ways and keep me updated on what is chic, without trying too hard. It's more about style than trends with these sites and I really gravitate towards that. I really hate boring cliche blogs that talk about the same celebrities and designers... there is nothing original about that. As far as magazines go, I really like Interview Magazine. Fabien Baron has an amazing eye, I can definitely see that visual aesthetic that he brought to Harper's Bazaar and Vogue Paris. It's all resurrected in the pages of Interview Magazine. I also like CR Fashion Book. As we all know, Carine Roitfeld has such a distinct sense of style and I love that she has fun with fashion. W Magazine is on my list too. The magazine has an amazing team of stylists such as Giovanna Battaglia and Edward Enninful. These two always know how to bring cutting edge style to fashion editorials. I have been really impressed with W Magazine this past year. Lately, I have also been finding inspiration from travel magazines. I love National Geographic... always such great photography and I love how they showcase such non traditional forms of beauty. I was really taken with their February issue on Libya... so inspiring!

If it were your decision, who would you put on the next cover of Vogue Paris? Vogue Italia? CR Fashion Book?

I would love to see some of my favorite 90s supermodels on the cover of Vogue Paris, especially the ones I haven't seen in years like Meghan Douglas, Claudia Mason, Shana Zadrick. These girls were so beautiful in the 90s and I would love to know what they are up to and how they feel now about beauty and glamour. For Vogue Italia and CR Fashion Book, I think for either magazine, it would be interesting if they made a cover on the idea of jolie laide. The term is French and it basically means a good looking ugly woman. I think it's an offbeat beauty concept, but I would love to see women like Angelica Huston, Sofia Coppola, Rossy de Palma, and maybe even model Saskia de Brauw on the cover, to show how you can be beautiful in a non-traditional way. I think that would make for a groundbreaking cover... it's time we celebrate being non-perfectly pretty!

You have an incredible knack for random encounters with artists that you admire, designers, photographers, editors, and so forth, what can you tell us about your recent rendezvous with talent?

Recently, I had the pleasure of meeting photographers Inez & Vinoodh. In July, they had a photo exhibit at the Gagosian Gallery in Beverly Hills and I was so honored to meet them the opening night. Both Inez & Vinoodh are extremely kind and we had an interesting conversation about one of my favorite covers that they photographed for Vogue Paris back in August of 2011. It was so cool to hear their thoughts about that cover and some of their favorite photos inside. It was also such a highlight to take a photo with them and to have them both sign the cover. I am so touched by what they wrote... by far, that was one of my most memorable encounters of 2013.

Which designers do you prefer to wear? Which pieces from the most recent collections caught your eye?

That is always a hard question to answer... but as of now I am liking Yohji Yamamoto... I loved his recent fall 2013 collection, especially those hats. Calvin Klein is always nice too... I like sleek minimalism and I think Francisco Costa really exemplifies that at CK. For drama and drapery I turn to Rick Owens and Haider Ackermann. These two designers get that you can be sexy and stylish by covering up in a sleek leather jacket and a dramatic skirt. I also like Issey Miyake... just because it is so innovative in terms of material, but also completely wearable. My favorite sporty chic designer would have to be Norma Kamali. I recently bought this amazing long black dress with wings and I love how soft and dramatic, it is. That is what I love about her clothes... it can go from sporty in the day to fancy in the night. Normally, I respond to designers who make clothes just like that. In general, it makes me really happy when I can find a sleek black frock... perhaps, that is why my sister and I named our blog Sisters in Black Frocks. For us, black will always be such an inspiring color!

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Dara Block photos © 2013 Dara Block. Other images courtesy of Condé Nast.

Mademoiselle C And Beyond

Mademoiselle C and Beyond
By Dara Block

One of the best parts about living in Los Angeles is that you have easy access to films that are not so mainstream. Last week, when I saw that Mademoiselle C was playing on the big screen, I immediately ran to the theatre. I love a good fashion documentary and when you have a storyline based around Carine Roitfeld starting her own magazine... well, you know that is going to be a total fashion extravaganza! I really enjoyed watching the film and rather than giving a detailed plot analysis I thought I would pay close attention to a couple of key moments in the film that I find memorable and inspiring!

First, I must applaud director Fabien Constant for incorporating such visual style in the film. I love the opening of Mademoiselle C with all those glamorous night time shots of New York City and those detailed sartorialist images of various women in high heels. It is very Carine Roitfeld and I am sure she loved those moments, as well. I also liked the music in the film. I read that the band, The Shoes provided the soundtrack for Mademoiselle C and I think there is a great electronic-pop-noir sound that corresponds so well with each scene of the movie.

For a while now, I wondered why Carine Roitfeld left Vogue Paris and I was very intrigued to hear her side of the story and to also see her start from scratch and to brainstorm with her new team at CR Fashion Book. The viewer gets to witness her and Stephen Gan putting together the first issue of her magazine, which was based on the idea of Rebirth. The inspiration came from her daughter Julia's pregnancy and also from Carine herself, as she was in the process of taking on this new project. I guess you could say the first issue was all about new beginnings. I think Carine summed it up best when she said, I gave up my crown to start something new.

I so appreciated how the film went behind the scenes with some of her editorials for the first issue of CR Fashion Book. Personally, I loved seeing the process of how she works when she is on set especially with the layout "A Woman's Life," which was photographed by Sebastian Faena. I have always been intrigued by that image of model Juliet Ingleby wearing that sheer violet veil scarf as she walks through the cemetery with those three girls all dressed in black leather right behind her... that probably has to be one of the best noir chic moments that Carine Roitfeld has ever styled... amazing to see this one being put together!

I also loved seeing the behind-the-scenes of "Lucho and Juliet," which was a fairy tale written and photographed by Tom Ford. As we all know Carine Roitfeld is Tom Ford's muse so we get to see that dynamic creative bond that they share on screen. I think it's great how they both understand each other on such a deep and artistic level. I also love seeing how meticulous Tom Ford is as a photographer... he has quite the eye. The best part of that scene was when Tom Ford included his housemaid in the editorial. It's quite funny to see his housekeeper trying to assimilate with his models. I so love finding out all those tiny details, it definitely adds a little character to the layout.

I also enjoyed going behind the scenes of "Hush Little Baby Don't You Cry." We get to see Carine Roitfeld catch a plane from New York City to Miami and work together on a farm with photographer Bruce Weber and model Kate Upton. It's really fascinating to see her conceive an idea with some goats, models, and newborn babies. I also liked how we got the backstory of the cover with that cute little girl and those rabbit ears holding that newborn child. From watching Mademoiselle C we discover that the baby is actually peeing on her and that is why she had that expression on her face. In addition, I liked the way Carine Roitfeld interacted with that little girl. We see her adjusting her rabbit ears and telling Bruce Weber that she thinks she looks like a young Romy Schneider. It was so delightful seeing Carine Roitfeld in total creative mode... it seemed like everyone that works with her totally responds to her energy and artistic vision.

I think my favorite moment in the film has to be when we see Carine Roitfeld practicing ballet with her instructor. This is a side that we never see of Carine and it was quite intriguing to see her work on her pliés and get down into a full split. Who knew she was that flexible? It's clear that dance and discipline play an important role in her life and I admire that she chose Dance as her next theme for the second issue of CR Fashion Book. Carine Roitfeld beautifully shows that life does indeed imitate art.

As you can see, there are so many key moments in the film and I loved seeing all the behind-the-scenes footage from her first issue of CR Fashion Book. What I appreciated most about the film is the way in which Carine Roitfeld took inspiration from her own life and manifested her vision into such thought provoking editorials that truly go above and beyond. I think Riccardo Tisci summed it up best when he was describing Carine Roitfeld in the film... he said, she loves fashion, she lives fashion, she breathes fashion, she's neoclassic, but still punk. I couldn't agree more. So on that note, if you have not seen the film do yourself a favor and see it. Carine Roitfeld is what true inspiration is all about.

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Carine Roitfeld Mademoiselle C film stills © 2013 Fabien Constant and Cohen Media; courtesy of modelinia.com and untitled-magazine.com. CR Fashion Book images courtesy of crfashionbook.com.

Introducing… Jascmeen Bush, Contributing Editor

Mesdames et messieurs, it is my pleasure to present the newest member of the team at I Want To Be A Roitfeld — Jascmeen Bush, contributing editor! Jascmeen is a talented fashion writer who will share her humor, her style, and her respect for Carine Roitfeld through these pages. Please join me in warmly welcoming Jascmeen!

Jascmeen Bush
Contributing Editor

Hello all!

I'm Jascmeen, a fashion writer living in Los Angeles. I'm so excited to celebrate Carine with you all, this woman is responsible for turning my multicolored wardrobe into solid black and I'm not afraid to say that after previewing the Mademoiselle C documentary, I toyed with a faux French accent (tried and failed, but this is what Carine does to meeee!)

I hope you all enjoy my posts and come to love my sense of humor. Tuck in that blouse (gently) and zip up your pencil skirts, guys, this is gonna be fun!

Follow Jascmeen Bush on Twitter

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Jascmeen Bush photograph © 2013 Jascmeen Bush. All Rights Reserved

Carine Roitfeld For Miss Dior

The house of Dior has released the first of their new advertising images as styled by Carine Roitfeld starring Mila Kunis in her second campaign for the company. The glamorous black-and-white ads promote the Miss Dior Autumn 2012 handbag collection and were photographed by Mario Sorrenti in Los Angeles at the locations of his choice. With her chic black ensemble, her bouffant hair, and her Miss Dior bag at her side, Kunis definitely has the aura of a Hollywood starlet circa 1950s with a hint of the eternally chic Jacqueline Bouvier Kennedy Onassis for good measure. The attentive throng of paparazzi adds to the ambience of the images.

Kunis had this to say about her decision to front the campaign: "I've always been tentative about the idea, but this was an easy decision. Why not be a part of a fashion house that I look up to? The truth about Dior is that it makes you feel special and I would never want to be a part of a brand that didn't make me feel good... I'm honestly just learning about fashion... In my daily life, I don't wear the most feminine pieces. But I love to feel feminine when I'm on the red carpet. I find that Dior is an incredibly grounded house. I always thought what Dior does is so sophisticated, feminine and beautiful... They made me feel incredibly comfortable. I can't say it was the hardest thing to do." Dior plans to release more material from the campaign next week including a short film and behind-the-scenes footage.

Miss Dior advertising campaign images © 2012 Christian Dior. All Rights Reserved.