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Entries in Helena Christensen (4)

samedi
janv.312015

Carine Roitfeld: Stylist

In 2007, Rizzoli published a fascinating book, Stylist: The Interpreters of Fashion, which collects the work of sixteen legendary image makers as selected by Style.com, and of course Carine Roitfeld made this exclusive list. Browsing the lavish volume is a fashion education unto itself, with influential stylists such as Polly Mellen, Grace Coddington, Edward Enninful, Carlyne Cerf de Dudzeele, and Karl Templer sharing memorable collaborations and sources of inspiration via interviews with Sarah Mower. Among the talented photographers that collaborated on these iconic images are Cecil Beaton, Richard Avedon, Steven Meisel, Annie Leibovitz, Mario Testino, Bruce Weber, Steven Klein, and Juergen Teller. Raul Martinez provided the creative direction for Stylist and Anna Wintour penned the foreword, in which she admits that as a fashion sittings editor she was never particularly good, although she certainly recognizes and champions editors that are particularly good. Which of her most memorable works did Carine Roitfeld choose to share in Stylist: The Interpreters of Fashion? I was hoping you would ask…

"The Butcher
The Face, 1997
Stylist: Carine Roitfeld
Model: Eva Herzigova
Photographer: Mario Testino

I love that Carine selected three images from her unforgettable editorial, "The Butcher," the work she considers her most compelling. Also notable, a print of the image above hangs in the home of art connoisseur Simon de Pury.

"Au Pérou, chez les Incas"
French Glamour, August 1993
Stylist: Carine Roitfeld
Model: Helena Christensen
Photographer: Mario Testino

This is one of the most famous of the Roitfeld/Testino collaborations for French Glamour, as well as personal: the location honors the photographer's Peruvian childhood and the model wore a Peruvian sweater belonging to the stylist's father. Trop mignon, non ?

"Néo-Moderne"
French Glamour, 1994
Stylist: Carine Roitfeld
Model: Nadja Auermann
Photographer: Mario Testino

This is the other most famous of the Roitfeld/Testino collaborations for French Glamour, again with a personal angle: the spread is shot in the néo-moderne apartment of Carine Roitfeld and Christian Restoin. Note also that the model lounges about wearing Gucci loafers, attracting the attention of Tom Ford and leading to one of the sexiest collaborations in fashion history.

Gucci by Tom Ford
Collection stills and ad campaign, 1995
Stylist: Carine Roitfeld
Photographer: Mario Testino

While Tom Ford is a talented designer and Mario Testino is an accomplished photographer, Carine Roitfeld must be credited with conducting the electricity that created the iconic Gucci look of 1995. As The New York Times observed at the time, "Imagine waking up one morning expecting Harriet Nelson to be making your breakfast and instead found Raquel Welch, circa 1968, beating the eggs."

"Corps & Lames"
Vogue Paris, February 2005
Stylist: Carine Roitfeld
Model: Gemma Ward
Photographer: Mario Testino

Gemma Ward is anything but innocent in "Corps & Lames," Carine's bizarrely beautiful homage to meat… and polka dots… and sheers… oh my…

Other material that Carine chose to share were images of herself as a young girl, with her family, with her Vogue Paris staff, and of her inspiration board, as well as the portrait below captured by Inez Van Lamsweerde and Vinoodh Matadin in March 2003 for V Magazine.

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Carine Roitfeld editorial images © 2007 Rizzoli. All Rights Reserved.

mardi
déc.042012

Carine Roitfeld: In Peru

In August 1993, Carine Roitfeld collaborated with photographer Mario Testino and supermodel Helena Christensen to create one of her most famous editorials for French Glamour, "Au Pérou, chez les Incas," (or in English, "In Peru, home of the Incas"). The shoot pays tribute to the style of Martin Chambi who was renowned for his photographs documenting the provincial society of Peru at the turn of the 20th century. Interestingly, both Testino and Christensen have roots in Peru: Mario was born in the capital city of Lima and Helena's mother is of Peruvian descent.

In another familial connection, Christensen wore a sweater that belonged to Carine's father for one of the shots. As La Roitfeld explains, "My life is mixed with my work, so there’s no weekend, it’s everything mixed — fashion and life. I have a picture of my dad where he is wearing a Peruvian sweater and then we have Helena Christensen wearing the same sweater in a fashion shoot for French Glamour in Peru. Everything is mixed. I think this is charming. It’s something personal."

Also from 1993
"Gold Rush" Marie Claire
"Sacrée Christy" Glamour France

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French Glamour August 1993 editorial © 1993 Condé Nast. All Rights Reserved.

lundi
déc.032012

Carine Roitfeld: Make Love, Not War

For the November 1992 issue of French Glamour, Carine Roitfeld styled an editorial titled, "Faites l'amour pas la guerre," or in English, "Make love, not war." The spreads feature Helena Christensen and Kate Moss as well as other models that I am unable to identify, please let me know if you can help. Mario Testino shot the images in which our favorite stylist clearly displays her allegiance to military chic. I always love Carine's way with words and her opening line for the editorial is brilliant: "Imbattable sur le front de la mode :  le genre militaire. Version chic ou vraie fripe, l'uniforme a retourné sa veste : il est passé dans le camp du Flower Power." (or in English, "Unbeatable on the fashion front: the military type. A chic version true or thrifted, the uniform has turned his coat: he went into the camp of Flower Power.") My favorite detail is the inscription of "love" and "you" on the eyelids, trés chou.

Also from 1992
"Monaco" Glamour France

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French Glamour November 1992 editorial © 1992 Condé Nast. All Rights Reserved.

samedi
déc.012012

Carine Roitfeld: Mosaiques Orientales

In the editorial "Mosaïques Orientales,” Carine Roitfeld teamed with supermodel Helena Christensen and photographer Friedemann Hauss for the June 1990 issue of ELLE France and it looks a lot like The Night Porter filmed against the backdrop of the cavern of Ali Baba. I love the names that Carine imagined for each of the photos: “La préféré du sultan”... “Shéhérazade 90”... “ Divine”... “Les motifs font impression”... Helena Christensen is radiant amongst a mélange of jewelry and treasured tile as fashion and art blend to form a memorable mosaic against the blue sky.

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Carine Roitfeld for ELLE France © 1990 Condé Nast and courtesy of automne-roi20.livejournal.com via Fashion Spot.