I Want To Be A Roitfeld

Kellina de Boer
EDITOR-IN-CHIEF

Dara Block
STYLE EDITOR

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Jessica Eritou
Renee Hernandez
Bernie Rothschild

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Mademoiselle C

Mademoiselle C (2013)
Directed by Fabien Constant

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carine roitfeld: irreverent
THE LITTLE BLACK JACKET

I Want To Be An Alt

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I Want To Be A Battaglia

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Entries in Kate Ringo Suzuki (16)

samedi
avr.062013

Vogue Paris March 2011: Coeur A Corps Perdu

Vogue Paris March 2011: Coeur À Corps Perdu
By Kate Ringo Suzuki

With the passing of the throne at Vogue Paris, readers have witnessed a seismic rift in the presentation of Parisian chic. In one corner of the ring, we have Carine Roitfeld; in the opposite corner, Emmanuelle Alt. At the sound of the bell, let the knockdown commence...

Two years ago, we said adieu to Vogue Paris as we knew it with the last issue under the dominion of Carine Roitfeld, her March 2011 farewell featuring the lovely Saskia de Brauw on the cover. Within the plastic encasement which crackled when we ripped it off in anticipation and wonder, we saw Saskia appear in the editorial styled by Roitfeld entitled "Cœur à Corps Perdu," or in English, "Heart and Soul," along with blonde nymphet Daphne Groeneveld.

Against the backdrop of a lush and dreamy boudoir cast in soft romantic lighting, we peep at Saskia and Daphne while they play out an elegantly erotic fantasy. We have gone back in time to the free love of the 70s: they wear crocheted finery, straw hats, lace and silk lingerie, and strands of pearls that drape sensually over their nubile décolletage. The spread is a well done homage to the 1974 softcore erotic film entitled Emmanuelle. The film became so popular in France and later in America that it made soft porn chic if even for a moment in time. Have you seen it? The main character, Emmanuelle, is an eager and zealous student of lust: She is willing to be fucked by anyone in order to reach higher levels of pleasure with her lover, Mario.

View the trailer for Emmanuelle

Compare my thoughts on "Cœur à Corps Perdu" with my review of the editorial "Nouveau Genre" from the March 2013 issue of Vogue Paris.

More from Vogue Paris March 2011

Vogue Paris March 2011: Audace Manifeste
By Dara Block

Vogue Paris March 2011: Body Secrets
By Bernie Rothschild

Vogue Paris March 2011: Expression Figurative
By Jessica Eritou

Vogue Paris March 2011: La Fee Toxique
By Kellina de Boer

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Vogue Paris editorial images © 2011 Condé Nast. All Rights Reserved.

mercredi
janv.302013

CR Fashion Book: Hush Little Baby, Don’t You Cry

CR Fashion Book: Hush Little Baby, Don’t You Cry
By Kate Ringo Suzuki

The first issue of CR Fashion Book is entitled REBIRTH. Carine Roitfeld is signaling that she herself is perhaps going through a rebirth in her own life. Or at the very least, that CR Fashion Book is her tender baby, and she is its loving, protective mother. As mothers we love, protect, and guide our babies, but they grow up to be whomever they are destined to become.

Her first editorial is entitled, “Hush Little Baby, Don’t You Cry: A Story About Second Chances and Active Imaginations.” Carine Roitfeld provides the visual imagery, beautifully photographed by Bruce Weber, to accompany a poem entitled “Doll Baptism” by Edwidge Danticat. In it, Carine teaches us about second chances, those points in life when we decide to embark on a new path. What is required is the pure mind of a child, or what in Zen thought is called “Beginner’s Mind,” as well as an active and positive imagination, and a kind of freedom from negative, so-called “realistic” thoughts and worries. In her tale, CR teaches us about openness to the idea that we can make our dreams come true.

The editorial opens with the first line of Danticat’s poem: “When I was a little girl in Haiti, whenever my friends and I would get a new doll (often a white one), we would always have a doll baptism.” 

A doll baptism is a purifying ritual. Here Carine Roitfeld activates our inner little girl: Little girls love playing dress up, they are sweet and innocent, they love their stuffed bears, they love ponies and ballerinas, and they read nursery stories. They love life. They have no worries. They have freedom. Model Kate Upton wears a Little Bo Peep outfit, courtesy of Leg Avenue. It’s funny that these Leg Avenue costumes are featured here so innocently. The reality is that these costumes are marketed to grown-up women looking to spice up their lackluster sex lives — mostly women having a mid-life crisis who are bored with their husbands and want a change. Sure her shoes are Manolo Blahnik, and if you look closely, her coat is by Chloé — that coat is resting at her back. Kate holds a baby pony while a gorgeous male model dons a bear costume. And sweet Audrey Harrelson, the girl model, wears a tutu by Capezio. All have blond hair, hinting at the innocence of childhood.

“We would gather all our friends together to introduce our new doll to our tribe.”

Kate Upton wears another innocent outfit from Leg Avenue. She lounges on a blanket in the grass surrounded by happy naked babies. She is not the mother, but is more like one of them, as happy and as innocent as they are. They make a happy tribe. So we see that changing one’s life takes innocence, a beginner’s mind, and cannot thrive in isolation. Dreams need a tribe of like minds, free and clear, to help them along. The other page is a black and white photo of young Audrey Harrelson wearing a ballerina costume and a tiara while petting a baby pony. We see that Audrey dreams of becoming a ballerina. While she is playacting now, she does not doubt her dreams.

“Then we would choose two of our most special friends to be the godfather and godmother.”

We need mentors. People who love us, watch over us, and see our potential. Kate wears a frothy marabou dress by Alexander McQueen, a vintage children’s apron in gingham embroidered with The Three Bears, and vintage angel wings. She wears a tiara by Oscar de la Renta and holds a baby pig. Carine is reminding us of our childhood memories and feelings by referencing stories such as "Goldilocks and the Three Bears" and "Three Little Pigs" as well as fairies and angels.

“Sometimes the godparents were other little boys and girls, but other times, we chose adults as godparents because they could afford the cola and cookies needed for the baptism reception”

Mentors and supporters of our dreams come in different forms. They can be a part of our tribe of free thinkers, friends of like mind, or they can be more experienced, and perhaps provide financial support. Kate Upton wears a Jil Sander coat over a Leg Avenue dress. She holds a baby lamb and a tutu. She is a grown woman but she has the innocence of a child. She holds the lamb close to her heart, like a child holds a stuffed toy. She holds her innocence close. She doesn’t want it marred.

“Sometimes we would want to keep our doll so close, we would assign no one — not even our beloved brother — to be the father.”

Dreams are delicate. Sometimes we must hold our dreams in our hearts and not share them because we must preserve them and the innocence of the thought, for fear that our dreams could be destroyed by well meaning naysayers.

“And we would say, if anyone asked, that the family pet or one of our stuffed animals was the father because they would not be competing with us for playtime with our doll.”

This is about how our dreams are special to us. We see Audrey Harrelson wearing a tutu and holding a real baby. The male model wears his bear costume and holds the baby pony. They look at one another and Audrey smiles. Audrey, but a child herself, holds a real baby close, as we do with new dreams. We hold our new dreams dear, but we are like children. We know we need more growth to handle them.

“For a while, it was almost as if our doll was alive... As alive as a flock of birds.”

A flock of birds finds its direction instinctively. They work as a group and it comes naturally. So do dreams come about.

“Or a litter of puppies, or a cloud of butterflies, or a real baby... And we imagined and we dreamed what it might be like to one day be mothers to mules or monkeys or unicorns or to real babies who would wail, and moan, and look like us.”

And so there we have it, Carine Roitfeld, the dreamer.

[Editor's note: View Hush Little Baby, Don't You Cry, a short film by Bruce Weber.]

More from CR Fashion Book Issue 1: Rebirth

CR Fashion Book: A Woman's Life
By Renee Hernandez

CR Fashion Book: Elsa
By Bernie Rothschild

CR Fashion Book: High On Rebellion
By Jessica Eritou

Inside the Pages of CR
By Dara Block

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Carine Roitfeld photograph courtesy of thewildmagazine.com. CR Fashion Book images courtesy of crfashionbook.com

samedi
janv.052013

The Essence Of The Givenchy Woman

The Essence Of The Givenchy Woman
By Kate Ringo Suzuki

In her most recent collaboration with the house of Givenchy, Carine Roitfeld proves once again that high fashion can have a soul. Her styling for Givenchy’s campaign for Spring/Summer 2013 has beautifully captured the essence of creative director Riccardo Tisci’s vision of the Givenchy woman: “It’s about real people, only taking the best of their personalities, with no effort.” says Tisci.

The collection is undeniably architectural and menswear influenced, evidenced by tuxedo pants and sturdy jackets rendered in firm wool that stand at attention in straight lines. But do not be fooled — this is not your mother’s austere armor. There is cleverness and brilliance to what Tisci has done. Sturdy swaths of silk satin support large-scale details, like a larger-than-life side ruffle that reveals an unexpected flash of flesh on the side of a woman, her arm, her breast — not too much, not too little, just enough flirt to retain her mystery and power. High necklines punctuated with shiny bold chokers and asymmetry are the norm.

La Roitfeld’s styling is right on the money. Marina Abramovic, Kate Moss, and Mariacarla Boscono model the women’s collection wearing almost bare faces and relaxed undone hair. The boldness of the clothing serves as a frame to highlight the natural beauty of these women. Slicked back hair and red lips would have looked aged and dated. Under Carine’s watchful eye, the women wear the dresses and not the other way around. One photograph features Mariacarla Boscono holding her baby daughter, Mariąlucas; the sexiest grandmother in the world definitely still has baby on the brain.

Further congratulations should be extended to the brilliant black and white photography of Mert & Marcus.  

Take a look at the creation of Givenchy’s Spring/Summer 2013 campaign

Shephoa, Inc.

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Givenchy images © 2013 Givenchy.

mardi
oct.232012

Roitfeld Beauty Secret: Imperfection

Editor-at-large Kate Ringo Suzuki is on the scene to share with us one of the secrets to being a Roitfeld: imperfection. Yes, you read that correctly, Carine Roitfeld practices the art of imperfection and you can, too...

Roitfeld Beauty Secret: Imperfection
By Kate Ringo Suzuki

“I think that something needs to be weird in order to have a real beauty. Beauty can be quite boring, especially if you’re talking about beauty that doesn’t last. And what lasts is exactly the thing that maybe wasn’t pretty at first — it comes over time to be beautiful or interesting or exciting.”

— Carine Roitfeld

Resist the urge to Photoshop your life. Real beauty contains flaws and weirdness: What an interesting concept. I think Ms. Roitfeld is right. I am pulling for the weird side of style. Think of it as CR Fashion Book vs. InStyle Magazine. Go, CR Fashion Book, GO!

Another groovy fashion editor esteemed for her singularity, the late, great Diana Vreeland, delivered a similar riff on this idea that so-called flaws enhance rather than degrade what is considered beautiful. She once said, “You don’t have to be pretty. You don’t owe prettiness to anyone… Prettiness is not a rent you pay for occupying a space marked ‘female’.” These are words that came out of the mouth of a woman with iconic style.

How would you choose to present yourself if pretty were not a requirement? Would you wear discretely strange tops by Martin Margiela, paired with tight black Balenciaga pants? Would you button a white Ann Demeulemeester shirt all the way up? Or would you unbutton it down to there… and forget about it? Take a moment to ponder it.. What if pretty were not a requirement? What would you do? Okay… so do that.

If pretty were not a requirement, perhaps you would be edgy and own it, or maybe you would be fearlessly sexy. Give pretty the backseat and what results is pure nonchalance. Interesting. Carine Roitfeld does not fidget in the mirror nor does she tilt her head sweetly. She is too busy being charming, being interested, and being engaged in the moment, which is now. Like right now. This second. She is not being pretty. There is no “being pretty” — you either are or you are not.

But while Carine Roitfeld does not fidget in the mirror, she also embraces beauty wholeheartedly. For Ms. Roitfeld, beauty develops from the delicate interplay between the pleasing and the weird, the elegant and the shocking. Carine Roitfeld wears gorgeous clothes, weird shoes, and she lazily smudges black kohl around her eyes. We view her style as exciting. We think the circles under her eyes are sexy. The juxtaposition of her holy shit amazing clothes and her imperfections makes for a cool contrast. Carine Roitfeld highlights her strengths and lets the rest be. She skips the concealer. We call it character.

Is your imperfection...
Frizzy hair? That’s your signature. Make frizzy hair cool.
Flat chest? Go braless. Wear tight tops. Emphasize it.
Big nose? Pull your hair back. Wing your eyeliner.
Scars? Wear them like edgy, one-of-a-kind accessories that you bought in the East Village.
Too tall? Stand up straight. Wear heels. Really piss off the short people.
Too short? Take your cue from the Olsen twins and be awesome, do stuff.

Even if your flaws are nowhere near the ballpark of being strangely compelling, you can take heart that imperfection is endearing at the very least. Here are a few snappy bullet points to print out:

  • Relax, there is no being pretty.
  • Highlight strengths and forget the rest.
  • Wear holy shit amazing clothes.
  • Be awesome, do stuff.

Have fun. As for me, I’m skipping the manicure and going for a run. Catch you later.

Carine Roitfeld photographs courtesy of 12mag.net, the-wink.com, and tumblr.com.

dimanche
août122012

Roitfeld Beauty Secret: Confidence

Our delightful editor-at-large Kate Ringo Suzuki has encouraging news for all of us: it is possible to share in Carine Roitfeld's secret to beauty and it is absolutely free! Please read on to learn for yourself how you, too, can have that Roitfeld je ne sais quoi in just three easy steps… I am confident you will enjoy the lesson. Thanks for breaking it down, Kate!

Roitfeld Beauty Secret: Confidence
By Kate Ringo Suzuki

Equipment shirt… Check.

Balenciaga pencil skirt… Check.

Alaïa heels… Check.

Kohl rimmed eyes… Check.

There you go, you have the signature Carine Roitfeld look. You're welcome.

Wait a minute, not so fast! If you truly desire to emulate the compelling allure of La Roitfeld, forgo a spending spree at Barneys, it is unnecessary. I am going to let you in on a little secret — the secret to grabbing up Carine Roitfeld style! And by the way, I know it is hard to believe but her beauty secret comes absolutely free of charge. It can be had by all!

Come closer and I’ll whisper it into your ear. Shhhhhh… Carine Roitfeld’s most potent beauty elixir is timeless, enduring, free (did I mention free?), and completely intoxicating to everyone in her presence. Her beauty secret is called: Confidence. Not sold in a Sephora near you, I can assure you of that.

Here is my big promise: Follow these guidelines and you can project confidence, too.

  1. Carine Roitfeld understands that youthfulness is a state of being. She is not obsessed with looking young because she is too busy enjoying life. She has l'art de vivre down pat. Although she is a very busy woman, she never appears to be burned out. On the contrary, Ms. Roitfeld retains a sense of fun. You need only to watch any interview of her on YouTube to see it for yourself. She is sharp and witty, light and charming.
  2. Carine Roitfeld always appears to be comfortable in her own skin. This is a woman who has no qualms about being photographed (fabulously) wearing nothing more than a black thong and white pumps. Ok, fine. It helps that she has a figure that many 25 year olds dream of having, but let us not overlook the power of Confident Body Language, otherwise known as C.B.L. Grab up any photo of Carine Roitfeld and you will see that her shoulders are relaxed, her chin is up, and her eyes pierce through like a tigress stalking its prey.
  3. Carine Roitfeld has jolie laide (or in English, pretty ugly). She parades her quirky good looks with pride. Eyebrows remain ungroomed (all the more to dramatically frame her tigress gaze), and her face exhibits pleasing lines when she smiles (the anti-New York look). And no, despite numerous fashion writers’ claims, for the last time, no, she does not look like Iggy Pop, for crying out loud. She is much prettier than Iggy Pop. And much more refined. I am confident enough to say this.

Don’t forget the three magical ingredients to intoxicating confidence: Have some fun, remember your C.B.L., and parade your quirky good looks with pride!

Carine Roitfeld photographs © 2010 Alexandra De Lapierre and courtesy of alltheprettybirds.blogspot.com and Fashion Spot.