Carine Roitfeld: The Russian Connection
mardi 14 janvier 2014 
Carine Roitfeld: The Russian Connection
By Bernie Rothschild
As we all know, Carine Roitfeld, a typical bourgeois Parisian woman, is proud of her Russian heritage. It comes as no surprise that her father, Jacques Roitfeld, was a Russian émigré to Paris, which was a very typical route for Russians during the Revolution of 1917. Carine celebrates her Russian roots as much as she can. She prefers a vodka shot over a glass of vintage French wine. It is even said that she speaks fluent Russian. And she loves Saint Petersburg. Her style is very Parisian, but it has some darkness and toughness in it, which is the Russian in her. Carine Roitfeld is the perfect definition of the French-Russian woman.
The connection between France and Russia is nothing new. French is the language of the nobility and was the official language of the Imperial Court of Russia which was known as the Romanov Court. The Russian Empire was a very powerful state and once occupied nearly half of the world like the Balkans, some parts of Asia, the Middle East, and even Alaska. The German born Sophie von Anhalt-Zerbst, or historically known as Catherine the Great, ruler of Russia, was very remarkable. Catherine was a Francophile and believed that everything French was superior. Her court was modeled after that of Louis XIV, the Sun King. Catherine admired the works of many French writers and regularly corresponded with Voltaire.
Though it was Peter the Great who introduced Francophilia to Russia, it was Catherine who made it popular by the use of French influence that extended not just to the language but also to the art and the architecture. Also, the official painter to the French royal court, Élisabeth Vigée-LeBrun, was once exiled in Russia and painted the Romanovs. The Rococo structure of many Russian palaces, 
especially the Peterhof Palace, was modeled after the splendid Palais de Versailles. The French and the Russians share a similar aesthetic but the Russian art is mixed with a Germanic influence that has some coldness and darkness to it.
Carine Roitfeld has tried to influence her work with her Russian descent like how the Russians admire the French. Carine was involved in the debut issue of Russian Vogue starring models Kate Moss and Amber Valletta that explored the beauty and the treasures of Russia after the dissolution of the Soviet government. Carine also dedicated the October 2006 issue of Vogue Paris to Russia, the spread titled "Tsarines" was inspired by the Russian Grand Duchess, the wealthiest women in the world during her time. The atmosphere of the photography, especially the white dresses, captures the innocent and angelic style of the daughters of the last Russian emperor Nicholas II.
The second editorial from that issue, "Poupées Russes," evokes the dark days of Russia during the communist rule. Especially with the Givenchy blouse with red embroidery which screams blood and goth. While the models look like angelic Grand Duchesses in "Tsarines," in "Poupées Russes" they look as if they're Russian spies disguised as dolls. I love how Carine "Russianizes" the atmosphere of their style.
Lastly, the editorial "Princesse Natalia" presents the model Natalia Vodianova as if she were a Russian princess especially with the Kokoshnik and a Russian babushka. I love how Carine flirts with balancing the fantasy of the modern and the historical Russian style, especially with the jewel tone colors that make Natalia look like the Russian paintings from the 18th century.
Overall, Russia is really a great country; with its rich heritage, it is truly one of the inspiring places on earth.
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