Carine Roitfeld: Pirelli Calendar 2015

Carine Roitfeld: Pirelli Calendar 2015
By Bernie Rothschild

The Pirelli Calendar 2015 will be styled by the legendary Carine Roitfeld and photographed by Steven Meisel. It is the first time that the calendar will feature plus-sized models and will include Joan Smalls, Anna Ewers, Adriana Lima, Candice Huffine, Raquel Zimmermann, Gigi Hadid, Isabeli Fontana, Carolyn Murphy, Karen Elson, Natalia Vodianova, Cameron Russell, and Sasha Luss. The 2015 Pirelli theme is "FETISH" which is synonymous with the style of Carine Roitfeld. Her love of bondage fetishism is deeply associated with the way she dresses and reflected in her photo shoot styling. She even themed the 2007 Vogue Paris calendar bondage also featuring Karen Elson as photographed by David Sims which shows her love of eroticism chic.

Carine has been working with Steven Meisel a lot lately (which makes me wonder why they didn't work together during her time at Vogue Paris). It was also Roitfeld and Meisel who were responsible for the first campaign of Tom Ford for YSL Rive Gauche and I assume that it was Carine who conceptualized and styled the controversial Opium campaign featuring the naked Sophie Dahl.

Although it is the first time for Steven Meisel to photograph the prestigious Pirelli Calendar, it is the second time for Carine. She styled the 2001 edition of the calendar featuring the top models of the new millennium as photographed by Mario Testino in Naples, Italy. One thing that is noticeable is every model's silhouette looks very much like Carine Roitfeld's personal style. The high heels, the nudity, the cigarette dangling, the black dresses. Carine is really the queen of erotic and hedonist chic! She seems to be the female reincarnation of Tom Ford with a touch of Helmut Newton. I'm really very excited to see the 2015 Pirelli Calendar which is due in November and, for sure, it will be one of Carine's "greatest hits."

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Pirelli Calendar images © 2014 Pirelli. All Rights Reserved.

I Want To Be A Roitfeld: Year Five

Today is 16 May, my favorite day of the year — I Want To Be A Roitfeld is five years old today! It is incredible to note that for half of a decade this site has been devoted to the Roitfeld family — Carine, Julia, and Vladimir — what adventures we have had! Best of all, the lily of the valley, or le muguet, is in bloom today, the most glorious herald of spring, the fragrance intoxicates. In case you are not in a position to smell the wondrous lily of the valley yourself, I picked you posies from my garden to celebrate the day.

First, a virtual bouquet for you, dear reader, for you are our raison d'être, without you we write for naught. Merci mille fois especially to those of you that dare to comment and offer your own opinion on our subjects.

Next, a bouquet for my incredible editorial team, Dara Block, Jascmeen Bush, Jessica Eritou, Renee Hernandez, Montse Ocejo, Bernie Rothschild, and Sarra Salib. I am continually inspired by all of you and I wholeheartedly thank each of you for contributing your talents to IWTBAR.

Finally, a special nosegay for my beloved Michael, Sweet Pea, and Walter, for the constant love and encouragement, ich liebe dich.

xx
Kellina

Joyeux anniversaire, ma geai bleue.

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Carine Roitfeld, Julia and Vladimir Restoin-Roitfeld photos courtesy of Fashion Spot. Walter photos © 2014 Kellina de Boer.

Carine Roitfeld: The Russian Connection

Carine Roitfeld: The Russian Connection
By Bernie Rothschild

As we all know, Carine Roitfeld, a typical bourgeois Parisian woman, is proud of her Russian heritage. It comes as no surprise that her father, Jacques Roitfeld, was a Russian émigré to Paris, which was a very typical route for Russians during the Revolution of 1917. Carine celebrates her Russian roots as much as she can. She prefers a vodka shot over a glass of vintage French wine. It is even said that she speaks fluent Russian. And she loves Saint Petersburg. Her style is very Parisian, but it has some darkness and toughness in it, which is the Russian in her. Carine Roitfeld is the perfect definition of the French-Russian woman.

The connection between France and Russia is nothing new. French is the language of the nobility and was the official language of the Imperial Court of Russia which was known as the Romanov Court.  The Russian Empire was a very powerful state and once occupied nearly half of the world like the Balkans, some parts of Asia, the Middle East, and even Alaska. The German born Sophie von Anhalt-Zerbst, or historically known as Catherine the Great, ruler of Russia, was very remarkable. Catherine was a Francophile and believed that everything French was superior. Her court was modeled after that of Louis XIV, the Sun King. Catherine admired the works of many French writers and regularly corresponded with Voltaire.

Though it was Peter the Great who introduced Francophilia to Russia, it was Catherine who made it popular by the use of French influence that extended not just to the language but also to the art and the architecture. Also, the official painter to the French royal court, Élisabeth Vigée-LeBrun, was once exiled in Russia and painted the Romanovs. The Rococo structure of many Russian palaces,  especially the Peterhof Palace, was modeled after the splendid Palais de Versailles. The French and the Russians share a similar aesthetic but the Russian art is mixed with a Germanic influence that has some coldness and darkness to it.

Carine Roitfeld has tried to influence her work with her Russian descent like how the Russians admire the French. Carine was involved in the debut issue of Russian Vogue starring models Kate Moss and Amber Valletta that explored the beauty and the treasures of Russia after the dissolution of the Soviet government. Carine also dedicated the October 2006 issue of Vogue Paris to Russia, the spread titled "Tsarines" was inspired by the Russian Grand Duchess, the wealthiest women in the world during her time. The atmosphere of the photography, especially the white dresses, captures the innocent and angelic style of the daughters of the last Russian emperor Nicholas II.

The second editorial from that issue, "Poupées Russes," evokes the dark days of Russia during the communist rule. Especially with the Givenchy blouse with red embroidery which screams blood and goth. While the models look like angelic Grand Duchesses in "Tsarines," in "Poupées Russes" they look as if they're Russian spies disguised as dolls. I love how Carine "Russianizes" the atmosphere of their style.

Lastly, the editorial "Princesse Natalia" presents the model Natalia Vodianova as if she were a Russian princess especially with the Kokoshnik and a Russian babushka. I love how Carine flirts with balancing the fantasy of the modern and the historical Russian style, especially with the jewel tone colors that make Natalia look like the Russian paintings from the 18th century.

Overall, Russia is really a great country; with its rich heritage, it is truly one of the inspiring places on earth.

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Vogue Paris editorial images © 2006 Condé Nast. All Rights Reserved.

The Roitfelds For Givenchy Fall/Winter 2013

The Roitfelds For Givenchy Fall/Winter 2013
By Bernie Rothschild

The Fall/Winter campaign of Givenchy for 2013 takes the theme of family values. Riccardo Tisci chose to put his mentor, collaborator, and muse Carine Roitfeld together with her daughter Julia Restoin-Roitfeld with photography by Mert & Marcus. The campaign also features actress Amanda Seyfried, models Mariano Ontanon and Dalianah Arekion, and Spanish actor Quim Gutiérrez. But I notice that Mariacarla Boscono, another longtime muse and personal friend of Mr. Tisci, is missing but my wild guess, she's probably going to star in the eyewear and accessories campaign. Though, I find that putting Carine Roitfeld in the campaign is unnecessary. She is pretty much involved behind the scenes. But it's probably a tribute to Riccardo and Carine's friendship. As we all know, it was her who helped Riccardo Tisci when he was just a newbie in the industry. She supported him during his first collections when everyone criticized him for his "darkness" and "gothicism." It was Carine who religiously wore his designs for every occasion such as parties and Paris Fashion Week and her Vogue Paris was the first magazine to feature the design of Riccardo Tisci on the cover (December/January 2005 Kate Moss). Even with his success, Riccardo did not forget Carine, it was him who put Carine "afloat" when she left Vogue Paris. In the fashion industry where change is constant, their dedication and loyalty towards each other is amazing. Cheers to these two fashion visionaries.

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Givenchy images © 2013 Givenchy. Carine Roitfeld and Riccardo Tisci image courtesy of purple.fr.

Vogue Paris March 2011: Body Secrets

Vogue Paris March 2011: Body Secrets
By Bernie Rothschild

For her farewell issue for Vogue Paris, the Victoria's Secret Angels got the Carine Roitfeld treatment. The editorial itself is named "Body Secrets" and shows the tacky versus the classy side of the models as shot by Inez Van Lamsweerde and Vinoodh Matadin. My guess is that it's Carine's way of saying, "This should be what real fashion models look like," curvy, stunning, and healthy. Carine Roitfeld herself is a regular in the audience at the Victoria's Secret fashion show. That season, the Victoria's Secret Angels, who are famous for their commercial work, had a remarkable high fashion crossover, they graced the covers and pages of high fashion magazines, appeared in high profile runway shows and ad campaigns, and so on. It's still has some impact on their careers until today. Though most of them started in the fashion industry, it's their commercial work for Victoria's Secret that gave them fame and fortune for appearing in television commercials that were shown in every American home. Some of the most well-known faces of this generation modeled for Victoria's Secret at a point in their career, a great example is Gisele Bündchen who became a household name. I myself am a big fan of the Victoria's Secret in the past during the time when it was Gisele, Karolina, Adriana, and Alessandra together with Heidi Klum who modeled for the brand. The show is fascinating and astonishing, but do women really wear something that grandiose in their boudoir? Or is it more of a lingerie couture? Though, the VS is all about lingerie and sexy body, it's still very feminine and has appeal for women (and men) that has made the brand a total success.

More from Vogue Paris March 2011

Vogue Paris March 2011: Audace Manifeste
By Dara Block

Vogue Paris March 2011: Coeur À Corps Perdu
By Kate Ringo Suzuki

Vogue Paris March 2011: Expression Figurative
By Jessica Eritou

Vogue Paris March 2011: La Fee Toxique
By Kellina de Boer

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Vogue Paris editorial images © 2011 Condé Nast. All Rights Reserved.