I Want To Be A Roitfeld

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Entries in Sarra Salib (11)

jeudi
juil.102014

Julia Restoin Roitfeld For Maniamania

You’re So Dark: Julia Restoin Roitfeld For Maniamania
By Sarra Salib

Potens necklace, Obscura cuff, Nocturn cocktail ring, Ephemera ring set, Talisman stacked ring, and Potens earrings — these are just a few of the gems that Julia Restoin Roitfeld so seductively modeled for Maniamania’s Obscura campaign.

Launched in 2009 by Australian art director Melanie Kramsler and stylist Tamila Purvis, Maniamania is a distinctive jewelry line that is the antithesis of delicacy and softness. The brand’s aesthetic is something akin to Warrior Princess mingling with Game of Thrones. One of the things I immediately thought of when I first saw the campaign was “Black Dahlia.” I ventured over to their site and did more exploring, and lo and behold, they had a Black Dahlia candle! It is aptly described as “a deep smokey glass candle in rich black wax and encased in a hand carved exterior of palm fronds and serpentine shapes.” After reviewing the other campaigns, labeling Maniamania as “mystical adornment for the modern times” could not be more precise.

The Obscura campaign, photographed by Bjorn Iooss, does not stray far from the aforementioned aesthetic. Alas, it is even more vampy, dark, mysterious, and dealing with the occult. One need only do a simple interpretation of the words "obscura," "nocturne," and "ephemera" to realize that the motifs for the campaign are the unknown, night, and all that is ephemeral. The pieces are extremely bold and geometric in nature, with tasseled cuff bracelets, statement prism necklaces, and plenty of not-so-simple rings and chains.

Clearly this is not a collection for naïve little girls. This jewelry is designed for a grown woman who knows herself and is ready to be empowered furthermore. Julia Restoin Roitfeld is the perfect candidate for this campaign because she does the bold, dark elegance so well. Moreover, all those years of modeling have taught her to master the smoldering, intense gaze — the “eyes that burn like cigarettes” look. Julia even joked about it on her Instagram saying “definitely my best '#dontmesswithme' face."

With Maniamania’s unique vision, jewelry is no longer about looking cute and simply completing the step of accessorizing; it’s about empowering your inner strong woman and truly making a statement. Brava Kramsler, Purvis, and Roitfeld!

View Julia Restoin Roitfeld in the Obscura campaign for Maniamania

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Julia Restoin Roitfeld images courtesy of i.themaniamania.com.

mardi
juil.012014

CR Fashion Book Issue 4: Fairy Tales

CR Fashion Book Issue 4: Fairy Tales
By Sarra Salib

The theme for Issue 4 of the bi-annual CR Fashion Book is "Fairy Tales" in which Carine Roitfeld takes as her subject some of our most children's beloved stories, tales that we revisit again and again even as adults to relive our favorite childhood memories, or perhaps to escape from the harsh reality even if only for a short while. The stories featured included "Beauty and the Beast," "Snow White and the Seven Dwarfs," "The Empress’s New Clothes," "Fairy Tale Theater," and Carine’s favorite, "E.T. the Extra-Terrestrial," which makes her cry. 

As we know by now, the work of Carine Roitfeld is enduring and iconic because it shies away from anything that celebrates the mundane or the status quo. In CR Fashion Book Issue 4 there was a twist added to every editorial, and these innocent stories we know so well were transformed and punctuated by Carine’s French accent mark, if you will. And that is actually one of Carine’s many talents: taking something innocent and revamping it into something provocative and politically incorrect. What else do we expect from the queen of porno chic?

In "Fairy Tales," we see a stark juxtaposition of brightness, hope, love, and smiles against loss, darkness, and ominousness. The cover stories convey those themes of brightness, lightness, and love. Lindsey Wixson’s E.T. cover photographed by Carine’s crony Sebastian Faena could not be more spot on. Gracing the reverse cover are Gigi Hadid (who could easily be mistaken for Kate Upton’s twin sister) with Shayne Cureton as shot by the legendary Bruce Weber. With perpetual smiles on their faces, Cureton and Hadid represent the ultimate fairy tale love of Janis Joplin and Jimi Hendrix in their ultra-hippie rock ‘n’ roll Sixties prime. 

Contrary to these lights and smiles, we see "Ferocious," a dark and sinister take on the classic "Beauty and the Beast," starring the now Carine regular Kate Upton as photographed by Karl Lagerfeld. "Ferocious" is captioned “Once Upon a Time Beauty Met Beastly and Liked It.” The photographs are eerily reminiscent of Charles Dickens’ Great Expectations, with Upton being Estella and the table setting being something that you would expect to find in the humble abode of Miss Havisham. Adding to this element of darkness is the apparent tragedy that Beauty did not end up living happily ever after with the object of her affection.

Another noteworthy editorial in Issue 4 of CR Fashion Book is “The Seven,” Carine Roitfeld's witty, modern, tongue-in-cheek take on "Snow White and the Seven Dwarfs." The story features Ashleigh Good and a diverse cast of smiling children playing their appropriate role as the seven dwarfs, and is shot by Carine’s longtime friend Pamela Hanson. The description to "The Seven" sets the vision for the editorial: “Ashleigh Good stars as part workaday mom, part contemporary Snow White. She makes for a magical, magnetic vision of motherhood.” Perhaps this is Carine's homage to her daughter Julia — granted Julia has only one child and not seven... I think yes!

Although this is a rather belated review of CR Fashion Book Issue 4, it is still appropriate because it proves how Carine’s work remains relevant and will remain relevant even down the line. Moreover, she proves that you may pick any theme you wish, use fashion and creative talent, and turn it into your own story for others to enjoy. In her "Fairy Tales," Carine combines and juxtaposes ideas of happiness and light with darkness and gloom to create memorable images with an array of established and new talents. Rounding off "Fairy Tales" was a fun task, and we cannot wait to see what theme Carine Roitfeld explores for the hotly anticipated Issue 5 of CR Fashion Book.

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Editorial images and illustration by Illustration by Donald “Drawbertson” Robertson © 2014 CR Fashion Book.

mercredi
mai212014

Julia Restoin Roitfeld En Blanc

Julia Restoin Roitfeld En Blanc
By Sarra Salib

It is undeniable that Julia Restoin Roitfeld likes to dress in white as much as she does in black and leopard print. I began thinking of writing about Julia’s love for dressing in white a while ago, and ironically enough, Vogue Spain recently styled an editorial featuring Julia appropriately titled "La Dama de Blanco." A month later, Madame Figaro released their April issue with Julia on the cover clad in a white ensemble. I have officially decided to take the emerging pattern a bit further to showcase some of Julia’s noteworthy white outfits, perhaps that will spark inspiration for this summer!

It would be more befitting to start with her daytime looks in white, which are styled in the signature French simple yet feminine light. When summer gets too hot, it’s all the more appropriate to show your tanned skin in form-fitting and cool silhouettes. Julia does just that with Alexander Wang’s white jersey dress, which she styled slightly differently but still with Yves Saint Laurent pumps and a gold cuff on the two separate occasions. What’s admirable about Julia Restoin Roitfeld is that she stays true to her style. Nothing is ever overdone for the sake of being “fashion” or following trends and looking like a complete replica of the runway. It is the essence of Julia's style that still hasn’t faded away.

Next is one of my favorite looks, a lacy mesh dress with the beloved Miu Miu sky high peep toe platforms. Another thing to admire about Julia is that she is not afraid to repeat an outfit or wear the same shoes more than once or twice. She is practical and wise to understand that these are investment pieces that are meant to be worn several times. We will see these accessories as common elements in the next outfits. The oddball in this outfit is the oversized purse — such a heavy looking thing is out of character for Julia, but perhaps she had a little extra to carry.

If you want a look that is more flowy, but still simple and light, there’s the Topshop one shoulder A-line dress paired with Balenciaga sandals. This is extremely chic and comfortable for a summer day out in the city with friends and family. I like how Julia added the green fringe purse for a pop of color against the white.

If you are not partial to dresses, there’s the silk shirt and short skirt ensemble. Here Julia Restoin Roitfeld wore an Equipment sheer silk blouse — her father’s line — with the sleeves rolled up as always, paired with a classy skirt and Miu Miu strappy shoes. Only Julia can dress up a sheer blouse and manage to look elegant at the same time. Once again, the key is to keep it simple! If you are going to wear a sheer blouse, make that the statement piece and simplify the shape and everything else so as to stay effortless and breezy.

Not only does Julia have an array of daytime looks in white, there's also a plethora of evening wear to admire. First is this beautiful dress that emphasizes the waist, accessorized with a beige clutch, Givenchy shoes, and — my favorite accessory of all time — the Pamela Love gold talon cuff. This could even double as an appropriate formal outfit for a work function.

Next is the classic little white dress with the leather jacket. We’ve seen Julia Restoin Roitfeld do this look before, but now it is more edgy, sophisticated, and grown-up. The shiny leather biker jacket with zipper detailing is a definite statement piece that adds edginess and breaks up the femininity and fragility of the dress. This look is a perfect combination of austerity, masculinity, and delicacy. Notice how Julia has taken it to a higher ground by doing a prominent cat eye. It is the perfect touch to tie the whole outfit together.

We all know that Julia is famous for borrowing from the wardrobe of her maman, Carine Roitfeld. She did not hesitate to borrow this statement Dolce & Gabbana number in white with flawless cut-out detailing for her appearance at the launch of the Savelli Smart Phone in Paris. She paired it with Miu Miu’s pointed pumps, which I believe she had repaired after they broke because she loved these particular shoes so much.

Last is a strapless dress gathered at the waist with the slightest hint of volume at the bottom, worn with Tom Ford shoes. This look is different from the others because we rarely see Julia go strapless or with her hair up, but she looked fabuleux.

This leads us to long evening wear, where we must begin with the angelic curve-hugging dress that Julia Restoin Roitfeld wore to Natalia Vodianova’s White Fairy Tale Love Ball. Notice how the look was kept to the absolute minimal with only a ring and a silver clutch at hand. Julia knew that the dress itself was the perfect statement piece for the theme; therefore, there was no need for superfluous accessories that might have dominated the look. Well done, Julia, and what a figure!

And who can forget when Julia stunned us all with her post-Romy figure in a crop top with a matching long pencil skirt for a dinner celebration of Romy and the Bunnies? Julia wore the same look recently, but paired it with a long black cape. Crop tops are tricky enough, much less adding the element of a cape to the mix. It’s amazing how she managed to convert this look for an outside party to an ultra-glamorous night party by adding and taking away a few things. The main thing we ought to pay attention to is the confidence that Julia exudes. A woman cannot simply wear a crop top and be insecure in her skin. You must be confident and know that you look as fabulous as ever.

Setting the bar for the sheer and lace trends, Julia wore a sheer dress with tiny flower details finished with minimalist makeup and her bespoke "Julia" clutch in Lucite by Edie Parker for the premiere of the film Mademoiselle C in New York City.

Finally, Julia Restoin Roitfeld donned a white satin pleated and embroidered dress at the Tribeca Film Festival and accessorized with some dangerously sexy studded heels and a leather clutch.

Voila! There you have a number of daytime and evening looks in white as inspired by the most beautiful Julia. I could add many more to the list, but consider this the more modern and updated lookbook of Julia Restoin Roitfeld wearing white. It is always interesting to look back and analyze how Julia's style evolved from pre- to post-Romy; however it evolves, her style will always be timeless, classy, and epitomize the French effortless chic glamor. Happy summer!

[Editor's note: Notice that Julia Restoin Roitfeld is also wearing a white dress in the IWTBAR masthead illustration by Isabelle Oziol de Pignol.]

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Julia Restoin Roitfeld photographs courtesy of models.com and Fashion Spot.

vendredi
mai162014

I Want To Be A Roitfeld: Year Five

Today is 16 May, my favorite day of the year — I Want To Be A Roitfeld is five years old today! It is incredible to note that for half of a decade this site has been devoted to the Roitfeld family — Carine, Julia, and Vladimir — what adventures we have had! Best of all, the lily of the valley, or le muguet, is in bloom today, the most glorious herald of spring, the fragrance intoxicates. In case you are not in a position to smell the wondrous lily of the valley yourself, I picked you posies from my garden to celebrate the day.

First, a virtual bouquet for you, dear reader, for you are our raison d'être, without you we write for naught. Merci mille fois especially to those of you that dare to comment and offer your own opinion on our subjects.

Next, a bouquet for my incredible editorial team, Dara Block, Jascmeen Bush, Jessica Eritou, Renee Hernandez, Montse Ocejo, Bernie Rothschild, and Sarra Salib. I am continually inspired by all of you and I wholeheartedly thank each of you for contributing your talents to IWTBAR.

Finally, a special nosegay for my beloved Michael, Sweet Pea, and Walter, for the constant love and encouragement, ich liebe dich.

xx
Kellina

Joyeux anniversaire, ma geai bleue.

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Carine Roitfeld, Julia and Vladimir Restoin-Roitfeld photos courtesy of Fashion Spot. Walter photos © 2014 Kellina de Boer.

mardi
janv.212014

Resort 2014: Carine Roitfeld’s Romeo And Juliet

Resort 2014: Carine Roitfeld’s Romeo and Juliet
By Sarra Salib

It’s no news by now that Carine Roitfeld is the Global Fashion Director for Harper’s Bazaar, and for the Resort 2014 Collection, she interpreted the most famous of Shakespeare’s work, Romeo and Juliet. Carine was undoubtedly inspired by the fact that there were “three major productions of Romeo and Juliet debuting for fall.”

The first thing I noticed about the editorial was the diversity of the cast. Carine’s strong point is her cultural awareness and always diverse cast — she demonstrates time and time again that love has no boundaries and does not distinguish between races. We all know that the prevalent theme of Romeo and Juliet was the “ancient grudge” of the Capulets and the Montagues, but in the editorial, she clearly shows that we are one big family bounded by love. The models’ ethnicities range from Japanese, Angolan, Brazilian, to African American. This is a definite statement of rebuttal to the idea that if we come from different families or background, then we cannot be together.

For this Resort 2014 story, Harper’s Bazaar gave us a bonus backstage video, which are always not long enough, but some of the most fun things to watch because they give you a glimpse of the action it takes to create these images. I believe one of the questions the models were asked was what does love mean to them, which I dare say is a rather difficult question to answer. I noticed that several of the answers were along the lines of waiting — “You should wait for love,” “It’s better to wait for love.” This made me happy because it reminded me of one of my favorite songs by Radiohead, "True Love Waits." In fact, I have a Pinterest board dedicated to it.

I found it ironic that one of Adriana Lima’s statements was “I don’t think you have to sacrifice much for love,” when in fact, the most important motif of Romeo and Juliet is sacrifice. But is that not what love is? It’s to sacrifice something — or in today’s terminology, to compromise — in order to be with the other person, in order to make it last for however long both parties want it to. It’s equivalent to saying “I would do anything for you,” or more befitting for Romeo and Juliet, “I would die for you.”

In terms of the editorial, kudos to Carine Roitfeld for modernizing Shakespeare’s tragedy; however, it did fail to capture the essence of Romeo and Juliet — the insurmountable passion, the “violent delights,” and the love that will have you comparing the object of your affection to the sun. Unfortunately, the passion is clearly missing here — the Juliets seem rather indifferent to their Romeos. I believe the backstage video reveals much more passion, understandably. Several moving images and voices will paint truer colors than one still shot could ever portray.

My favorite shot of the editorial is the one featuring the Dutch beauty Stef Van Der Laan and Phillip Witts. Their shot has the most natural chemistry, and it evokes the idea of being truly in love. Moreover, Witts’ Saint Laurent leather pants are what we call a statement. The opening image of the editorial featuring Adriana Lima and Tyson Ritter is also one of my favorites. Lima looks like the classic image of Juliet we all imagine when we think of Juliet — beautiful, innocent, yet knowing. In fact, she very much resembles Olivia Hussey in that shot. Ritter looked rather familiar to me, so I conducted a simple search and learned that he is indeed the lead singer of The All-American Rejects. I do not listen to them, but I am not surprised that Carine chose him to be one of the Romeos, because he does have the most beautiful cheekbones.

All in all, does the editorial make me immediately think of Romeo and Juliet when I see it? No. But it does convey a much more important message that love has no boundaries. I hope no one has to wait much for their true love, and most of all, I hope no one reading is out of love.

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Carine Roitfeld Romeo and Juliet images © 2013 Hearst Communications, Inc. Other images courtesy of deviantart.com All Rights Reserved.